Course Syllabus
INTRODUCTION TO DESIGN FOR THE THEATRE - TDDE1 Winter 2022
Instructor: Mark Guirguis
Lectures: Monday and Wednesday 3:00 – 3:50PM
Office Hours: Wednesdays 12-1PM (other hours by appointment)
Galbraith Hall 102. Phone: 858–822-6708. E-mail: mguirguis@ucsd.edu
Theatre and Dance Department Office: located inside Galbraith Hall - grass level, south side
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Discussion sections will meet Via Zoom for the FIRST TWO WEEKS. You will receive meeting ID and passwords from your T.A.s
SECTION: Teaching Assistant:
| A01-Tuesday: 2:00PM-3:20PM Raphael Mishler: rmishler@ucsd.edu |
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A02-Thursday: 10:00AM-11:20AM Natalie Barshow: nbarshow@ucsd.edu |
| A03- Thursday: 11:30AM-12:50PM Daniella Toscano: dtoscano@ucsd.edu |
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A04-Friday: 1:00PM-2:20PM Salvador Zamora: sazamora@ucsd.edu |
(TA office hours, contact information, and office/studio room numbers announced in section.)
COURSE DESCRIPTION:
This course is intended to be a survey of contemporary concepts and practices of the theatre design (set, costume, lighting, and sound). It includes reading of plays, introductory design work, visual criticism, and discussion of many studio practices. Students will execute digital models, drawings, as well as use other visual forms of expression to present their design ideas.
READINGS:
- "No Exit" by Jean-Paul Sartre (for the main design project)
For discussion and section exercises:
- “Everybody” by Branden Jacobs-Jenkins
- "In the Red and Brown Water" by Tarell Alvin McCraney
- "Napoli Milionaria!" by Eduardo De Filippo
All readings will be available on Canvas
OTHER MATERIALS:
- Physical materials for collages
- TBD: Color medium for rendering projects
- All materials will be discussed in class and information provided on Canvas
- All worksheets and templates will be available on Canvas
PAPERS / DISCUSSIONS:
*All handed-in papers must be typed.
*Students are expected to participate in discussion sections.
*Those students who are participating asynchronously will be expected to submit written comments on their fellow student’s work. Submissions will be made directly to the T.A. by the designated deadlines. Students will also be expected to contribute to discussions on Canvas.
* Students are required to see the Theatre and Dance Department productions of “Everybody”by Branden Jacobs-Jenkins, showing weeks 6 and 7, and “Napoli Milionaria!” by Eduardo De Filippo , showing weeks 9.and 10
Additional department productions: “The Elaborate Entrance of Chad Deity”, “In the Red and Brown Water”, and "WInterWORKS" are highly recommended.
*Opening dates and viewing details will be announced.
PROJECTS ARE DUE EACH WEEK IN SECTION: GUIDELINES ARE EXPLAINED IN LECTURE.
FINAL PROJECT –FINISHED DIGITAL MODEL & COSTUME RENDERINGS+LIGHTING CONCEPT
This is a script-based project. Complete instructions are going to be discussed in lecture
*Students are responsible for keeping their research images throughout the quarter. These will be potentially uploaded with the final project. Keep all research images that you collect throughout the quarter.
REVIEW OF GRADING
Character collages 50
3-D environmental collage 50
Initial concept ideas 50
Costumes: initial design ideas 100
Scenery: initial design ideas 100
Lighting: initial design ideas 100
Sound: initial design ideas 100
Individual appointments 50
Section participation 100
Completed final project 200
Quizzes 200
Written review of one department production:
(two-page paper due) 100
Total 1200 points
100 - 90 % = A+ - A-
89 - 80 % = B+ - B-
79 - 70 % = C+ - C-
69 - 60% = D+ - D-
59 -0% = F
Check your grading option. The department does not approve retroactive grading options.
PASS/NO PASS students must complete all assignments, exams, etc, and must have a passing grade of a solid C. No exceptions.
Attendance is very important. One unexcused absence drops your grade 1 grade point (i.e. A to an A-). Two unexcused tardies equals one absence.
-Projects handed in late will automatically receive a 25% penalty.
ATTENDANCE:
Participation in section discussions is expected.
This is a highly visually oriented class. Use of images & other presentations during lectures provides essential information for development of individual projects. This information cannot be obtained without attending/viewing lectures and sections.
One unexcused absence (synchronous or asynchronous) drops your grade 1 grade point (i.e. A to an A-). Two unexcused tardies equals one absence.
WEEKLY CALENDAR OF TOPICS AND ASSIGNMENTS (subject to modification)
TDDE 1 - Introduction to Design for the Theatre
WINTER 2022
WEEK 1 ----------------------------------------------------------------------------------------------------------------
READING: "No Exit" by Jean-Paul Sartre
Monday, January 3rd
LECTURE: Introduction to class, organization of sections, introduction to projects, papers, and readings
Wednesday, January 5th
LECTURE: Role of the theatre designer, Visual elements of design.
SECTION:
All sections meet this week at scheduled times- Collect shapes, colors, textures that reflect you personally. (aim for at least 6-8 things). Compose all of these into a collage. Be ready to share these in section. Take a picture of your final collage with a brief statement to upload on Canvas by End of Day on Friday 1/7.
WEEK 2 ------------------------------------------------------------------------------------------------------------------
Monday, January 10th
LECTURE: Quiz+ Discussion: “No Exit”
Visual principles of design
Wednesday, January 12th
LECTURE: Elements and principles of design: continued
SECTION: Present character collages--with written statement
WEEK 3 -----------------------------------------------------------------------------------------------------------------
READING: “Everybody” by Branden Jacobs-Jenkins
Monday, January 17th
LECTURE: No Lecture: Martin Luther King Holiday
Wednesday, January 19th
LECTURE: Developing a design concept | Using SketchUp as a design tool
SECTION: 3-D environmental collage -with written statement
WEEK 4-----------------------------------------------------------------------------------------------------------------
Monday, January 24th
LECTURE: Set design
Wednesday, January 25th
LECTURE: Using SketchUp
SECTION: Initial Concept collage due with research images-with written statement.
WEEK 5---------------------------------------------------------------------------------------------------------------------
READING: "In the Red and Brown Water" by Tarell Alvin McCraney
Monday, January 31st
LECTURE: Costume design
Wednesday, February 2nd
LECTURE: Costume design : Drawing character figures
SECTION: Initial Scenic design due for discussion -with written statement
WEEK 6----------------------------------------------------------------------------------------------------------------
Monday, February 7th
LECTURE: QUIZ I
Wednesday, February 9th
LECTURE: Lighting design
SECTION: Costume sketches due--with written statement
*See “Everybody” this week.
WEEK 7------------------------------------------------------------------------------------------------------------------
Monday, February 14th
LECTURE: President’s Day Holiday
Wednesday, February 15th
LECTURE: Sound design
SECTION: Lighting collage due- with written statement
*Schedule individual appointments with your T.A.
*See “Everybody” this week.
WEEK 8 ----------------------------------------------------------------------------------------------------------------
READING: "Napoli Milionaria!" by Eduardo De Filippo
Monday, February 21st
LECTURE: Design Implementation
Wednesday, February 23rd
LECTURE: The final project: methods and materials
SECTION: Schedule individual appointments with your T.A.
WEEK 9------------------------------------------------------------------------------------------------------------------
Monday, February 28th
LECTURE: Final Guidelines
Wednesday, March 2nd
LECTURE: Quiz II review
SECTION: Sound design presentations-with written statement
See "Napoli Milionaria!" this week
WEEK 10--------------------------------------------------------------------------------------------------------------
Monday, March 7th
LECTURE: Quiz II Review. Design presentation: preparation
Wednesday, March 9th
LECTURE: Quiz II
SECTION: All sections meet for final presentations: final project due
See "Napoli Milionaria!" this week
FINAL--------------------------------------------------------------------------------------------------------------
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Wednesday, 3/16/2022 |
3:00 PM-5:59PM Final presentations |
Office for Student with Disabilities
Students requesting accommodations and services for this course due to a disability need to provide a current Authorization for Accommodation (AFA) letter issued by the Office for Students with Disabilities (OSD) prior to eligibility for requests. Receipt of AFAs in advance is necessary for appropriate planning for the provision of reasonable accommodations. OSD Academic Liaisons also need to receive current AFA letters if there are any changes to accommodations. For additional information, contact the Office for Students with Disabilities: 858-534-4382 (V); 959.534.9709 (TTY) – reserved for people who are deaf or hard of hearing; or email: osd@ucsd.edu. For more, see: http://disabilities.ucsd.edu.
Standards of Academic Integrity
Each student is responsible to know and observe the UCSD rules concerning academic integrity and plagiarism. Familiarize yourselves and be cognizant of your responsibilities and rights under the UCSD Policy on Integrity of Scholarship:
http://senate.ucsd.edu/manual/appendices/appendix2.pdf .
Your responsibilities and rights under the UCSD Student Code of Conduct can be found at: http://ugr8.ucsd.edu/judicial/22_00.html.
A student found to have violated the university’s academic integrity standards will be subject to penalties ranging from failing the assignment or course to suspension or expulsion from the university, and an academic misconduct charge will be noted on your academic record. If you have any questions about what constitutes plagiarism and how to avoid it, or how to credit the work of others properly, or how to evaluate sources for quality and reliability, or about any other pertinent issue, speak with your professor or TA. Ignorance of these standards will not be accepted as justification for their violation, so be sure to understand and abide by them.